Observe closely, from a single leaf to a landscape.
Nature drawing is a slow, careful kind of looking. Start with contour on single leaves, move through flowers and trees, and finish with landscapes and skies.
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Follow the edge of the leaf with your eye, slowly, and let your pen move at the same speed. You won't see your drawing until the end. Accuracy doesn't matter today, attention does.



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Most flowers are a cup, a disc or a trumpet. Draw that basic shape in perspective first, then divide it into petals. Petals overlap, so draw the front ones first.



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Copy a plate from a historical botanical book. Notice how the illustrator shows every part clearly, even if no real plant would ever hold that pose. Clarity over realism.



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A mushroom is a dome on a cylinder, both turning in perspective. Get the ellipse of the cap's underside right and the rest looks solid.



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Draw the tree's overall silhouette and big masses of foliage before any leaves. Branches get thinner each time they split. Leave gaps in the canopy where the sky shows through.



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Water has no shape of its own, so draw what it reflects and what it hides. Look for the darkest darks and the brightest highlights and leave the middle tones simple.



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Ten minutes per landscape. Divide the page into foreground, middle ground and distance. Things far away get lighter, smaller and less detailed.



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